The Door

It's been a long time since I've written any form of poetry but some recent events inspired me. Best of a bad situation.

Here goes.

The Door 

The hinges squeak

The handle barely shows gold

Unlike the gold untouched

As the clasp meets the fold

It's not through lack of wanting 

Lack of willing, lack of trying

The force simply won't give

When your wanting is just lying

That familiar waft of air

As the heart battles the mind 

Just to hear the slam.

Hopefully. Eventually. Within time. 

Welcome Back...

It has been far, far too long since I have written anything. I put it down to pure laziness and an apathy I'd developed towards something I used to love so much. I don't truly believe that anymore.

2012 and 2013 for me have been two very eventful years of my life that have moulded and tested me in so many ways that I never believed possible. 

2012 was full of highs and lows. I had my heart broken and felt so lost I didn't know how and when I'd become me again. Writing seems like a suitable channel for that emotion but I think being connected with something I loved was too difficult.The complicated situation made every aspect of my life difficult. I'm proud of how far I've come since then.

2013 has been brilliant. An inevitable rocky start but it's been a year of amazing experiences that I will never forget. I truly value the strength of the friendships I have. I am in a place where life is comfortable and I know where I want to be next year. 

I have started reading again and seriously watching films like I used to. I have found and read my blog again and it is sparking my want to start writing.

This may be all I can muster for one evening, but watch this space. 

I'm coming back!!

x

The Impossible Fantasy:

The Impossible Fantasy:

How Disney films create an unrealistic expectation of life.

Before I could even walk I was exposed to the magical world of Disney - those wonderful Fairytales that tell us our dreams are possible. A seemingly harmless notion. As a child (and an adult for that matter), what is there not to enjoy about a film with a loveable hero, a happy ending and a great selection of pleasurable songs? Songs that consume the rest of your life and are so well known, that you struggle to meet someone who does not know the lyrics of at least one of these catchy tunes.  On the surface, there really is not a great deal wrong with this Fairytale being a big inclusion of our life. However this perfect ideal that has consumed our lives for so long is likely to drastically alter the choices we make in the future.

I am 21 years old, and although I am wise to the world and know life is not the dream I had once hoped it would be, there is still a deep part of me that heavily clings on to the notion of my ‘happily ever after’. I still firmly believe that one day my Prince Charming will arrive and I will live the rest of my days in a state of perfect splendour. The fact that I still believe in this possibility – Disney as my only proof this could be reality – is actually quite laughable.  I am becoming a living example that Disney will most likely be the ruin of many lives. I have become too picky in my selection of guys as I simply do not want to settle. I want to be swept of my feet and live everyday in ecstasy.

It, of course, is a natural fear that by waiting around for my fantasy, I will reject those who probably will actually make me happy because they are not the impossible Prince that I have imagined for so long. This fictitious creation that I tell myself is real, becomes more epic – and thus more impossible – with each passing year.

 I am not the perfect woman, so would the perfect man truly want me, should he appear? Does such a man exist?

The most logical assumption is that he probably doesn’t exist. But even if he did, and he appeared at my doorstep in the flesh...would I truly want to live out my days with him? Again, the logical assumption is probably not. The idea of doing such is the fantasy but it is often quite clear that the things we think we want, we actually don’t. This notion is applicable in any circumstances, be it as trivial as eating a chocolate bar.

Even though I am fully aware that this is all an impossible dream, I am fixated on the fact that I will be an anomaly. I simply cannot let go of the idea that a fantasy can become reality.  It has become an infection. An infection that has burrowed its way into the subconscious of many women and one that is being caught by the new generation of girls.

However it seems that it is not just females that Disney has infected. It has infected the substance of films as a whole. Watch any romantic comedy or drama, even thrillers and horrors, and more often than not, the Disney structure that we have grown so accustomed to is present. It may not be there in black and white, but it is always there lurking underneath it all. Take Pretty Woman for example.  Vivian lives a dark life. She has nothing in her life and is forced to sell her body in order to get by. That is until Edward comes along and sweeps her away into a life of luxury.  Although the path is uneven, she ultimately gets a happily ever after that rivals any Princess.  This structure is a direct parallel to that used within Disney. The symmetry is apparent the most when we compare it to Cinderella. She lives a dark life – father dies and is left in the awful exploitive care of her step mum. She is swept off her feet by a kind stranger – she dances with Prince Charming at the ball. The road is not smooth – she loses her slipper at midnight and has to leave. But ultimately, it all works out.

As women, how are we supposed to grow up from the Disney ideal when we are still being exposed to the same things? Pretty Woman is a prime example of how more adult films can be worse in keeping the impossible fantasy alive. The characters are more real and the likelihood of the situation seems more accessible. But seeming accessible does not make it so. It is very improbable that if forced myself into prostitution, no man would ever come along and offer me a better life.

       Living in our contemporary society, we are fully aware that a better life is ultimately down to ourselves.  If we want something to happen in our lives, then it is up to us to do it.

Women are stronger now than they were at the origins of the fairytales, so this impossible fantasy shouldn’t still be relied upon by so many. The fact that it is the very foundation of many girls future plans is proof of how fickle we have become. Yes, we may be strong in one sense. We can follow whatever career path we wish, we can vote, we can instigate divorces. But deep down we’re still those fragile, naive little girls who dream of the perfect ever after and want an easy way out of life.

I know that by putting faith in fate and fairytale, I am letting the little girl inside of me take hold of my domain, but if I’m going to be truthful, I’m OK with that.  Knowing that she is still there with her fictional knowledge of how the world works is something of a comfort. If I ever asked her to leave, I’d be opening the door to a lot of harshness I’m not prepared to fully acknowledge. I may have unrealistic expectations of men and I may end up alone because no real man has lived up to the hype. But the beautiful thing about life is that the future is still undecided. And just maybe my author is out there somewhere writing my ending. My ending that will utter those six wonderful words.

And they lived happily ever after.

One Day

3/5


"I love you Dex, I really do. I just don't like you anymore."

One Day is filmed with a lot of beauty and manages to evoke plenty of emotion and heart, it’s just a shame that some of the character’s bring the whole ensemble down.

Based on David Nicholls best seller, One Day centres on the lives of Dexter Mayhew (Jim Sturgess) and Emma Morley (Anne Hathway) on the 15^th July of each year. The first thing I will mention is that this book is by far my favourite of this year. It is so wonderfully written with very real, relatable characters that spark emotion at each turn. I obviously didn’t love the film in the same way, but nonetheless I very much enjoyed it. 

Director Lone Scherfig managed to really capture the essence of the book, projecting the same heart that Nicholls created.  The story itself is a genuinely original and beautiful idea. Seeing two friends live their lives through a series of portholes each year is a really clever way of shifting time but allowing us to still keep close and up to date with the characters relationship. Although Dexter and Emma deeply care for one another, their paths move in very different directions through the trials and tribulations of life. It is this turbulence that keeps up desperate for the characters to stay connected with each other.  It’s an important empathetic aspect that the audience can’t help but feel which really allows us to deeply involve ourselves in both Emma and Dexter’s life. We need to possess this in order to gain the full impact of the film.

 The acting is probably the worst part about this film. On the whole, Jim Sturgess did a fantastic job. He is a very attractive male and looks-wise is everything Dexter should be. I thought he played his part well, he was pompous and arrogant to start with which rightfully made us dislike his character, but later managed to mature into a character most women would love to have in their life. My only qualm with him would be the accent he put on in his younger years. He came across as an upper class snob which I felt didn’t particularly suit his character.

 Anne Hathway however was something else.  There is no way in hell this part should have been hers. Physically, she is everything Emma Morley should be and in hindsight, that is probably the only reason she got the role.  Her attempt at a Yorkshire accent is possibly one of the worst things I have heard in my life. She starts off with a really posh southern accent with American twinges, and occasionally throws in a really broad Yorkshire sentence. It is physically impossible not to notice this and as a result is really distracting to the rest of her performance.  This is such a big disappointment to me mainly because I related to Emma’s character so much in the book and completely loved her because of it, but I struggled to keep that same level of affection for her in the film because of Hathway. Why they couldn’t have cast a British actress I really don’t know.

  Rafe Spall who played Ian Whitehead, Emma’s love interest, really surprised me. He really stood out above the rest with his genuinely great performacne. He was nothing like I had initially imagined him to be, but that didn’t seem to matter when watching the film because Spall managed to make Whitehead better.

I’ve got to give a lot of praise to make up team as well. The transformation they gave Dexter throughout the 23years was just brilliant. The change each year was subtle enough that it didn’t feel like a big deal but it effectively managed to demonstrate the state his life was in. As I’ve stated before, Jim Sturgess is a very attractive man, and for them to make him seem unappealing in a really slight way is truly remarkable.

The ending of the film is very true to the book. Although it didn’t spark as much emotion as the book (I sat and cried for 10minutes straight after I had finished it) it still generated a pretty hefty amount – my mascara stained tissue is proof of that! The ending moved me in a similar way to the book which in my experience of adaptations is a hard thing to recreate.  I think a lot of the reason this adaptation felt like it worked, was because David Nicholls wrote the screenplay himself. I think that was a really smart move because he obviously knows the essence of the story more than anyone.

Whilst this isn’t your usual love story and probably will never make it into your favourites. It is still a very worthy effort.  I really don’t think this will appeal to everyone but it won’t disappoint those who have read the book (shame the same can’t be said for PS I Love You and The Time Traveller’s Wife...) It’s an emotional story and one where you’re willing things to work out for the characters you like so much.  A good effort by Scherfig and a good watch. 

The Change-Up

2/5


Director: David Dobkin
Starring: Ryan Reynolds, Jason Bateman, Olivia Wilde.

Although admittedly I wasn’t expecting a lot from this film, a big part of me still felt disappointed. The Change-Up is your classic body swap comedy. Two best friends live very different lives; Dave is swept under juggling his demanding family and demanding job, whilst Mitch is a lazy bastard, unable to see anything through. Naturally they get drunk, piss in a fountain and wish to swap lives (as you do). I think you can take a pretty good guess at what comes next...

The comedy in this just wasn’t what I thought it would be. I knew it wasn’t going to be a great film but I thought it would be at least pleasantly entertaining. Although it was fairly entertaining, the comedy was very poor. Fair enough, there were a handful of moments that were genuinely quite amusing but other than that, all that came through were the writers distinct odour of trying too hard. I understand that we are supposed to suspend our disbelief, but it felt like at times they were asking too much. It seemed like they snubbed a lot of the wit by opting for cheap comedy instead, which unless I was stupidly drunk or under the age of 10, just isn’t funny to me.

A big problem to me was the way the character of Mitch came across. Yes, I get it is necessary for him to be a douche and self involved, however I feel that likeability is still a key element within this genre, and for me, the guy simply had none. It was Ryan Reynolds reverting back to his earlier days of poor comedy in Just Friends. After recently realising, with the help of Buried that he is actually a decent actor, it is very painful to be suddenly kicked back to this view of him. He is better than these characters. This isn’t to say Reynolds is bad in the film, I actually thought both him and Jason Bateman did a good job. I mean we have to believe these characters have switched places, and I found their performances believable. It was just a mixture of the script and the actual production of the characters that bothered me. It immediately sucked a lot of acceptable potential out of the idea slamming it hard into the ground.

The final issue I had with the script was the very poor structure. The predictability and cliché cheese at the end I can get on board with as it’s the sort of thing I’ve grown to expect from this kind of comedy; however a lazy constructed order of events bothers me. It felt like the writers had all these ideas, but instead of incorporating them into a smooth and ordered way, they just threw them into the mix in whatever order they landed. They tried to include some depth to Mitch’s character through the breaking relationship he had with his dad, however it came across really sloppy and like there was no real jurisdiction to it.  

I can normally get on board with this typical comedy and I really felt like this film would be just another one that is a winner for mindless humour. Whilst I wouldn’t say I hated the film, I was left feeling pretty disappointed. Although not a hard genre to make, since every other body swap film has set the structure for it already, it seemed very rushed and that perhaps a bit more time could have gone into it. I quite enjoyed It’s a Boy Girl Thing and 17 Again – they are body swap films I could happily sit down and enjoy again. This one doesn’t quite cut it. I can’t see myself watching it again, even for mindless drivel. Definitely not worth an immediate watch. 

My Top Moments: LOTR

After recently re-watching the fantastic trilogy that is Lord of the Rings, I have been inspired to create a list of my favourite scenes within the three films. Combined, the trilogy plays host to many, many wonderfully composed, shot and acted scenes - however these 5 are the ones that stand above all the rest to me.

FIVE- Gollum's Duality.


During The Two Towers, there are several moments where Gollum reveals his dual personality. The particular scene in which I'm referring to however is the first time we really witness this, and the point we see Gollum's good side stomping down his malevolence. The cleverness of the scene blows me away every time I see it. It is simply superb the way life is given to another character entirely merely through the interjections of different camera angles and the use of great editing. Gollum's two personalities physically come to life on screen in a way that is engaging to watch time after time. Beautiful editing and an incredibly well composed scene that I think thoroughly deserves some attention. 




FOUR - Aragorn's tracking of Pippin and Merry


After Pippin and Merry have been captured by Saruman's army, Aragorn, Legolas and Gimli go in search of them. This is the point where they believe the Riders of Rohan have accidentally killed the hobbit's but Aragorn manages to track the steps they made and work out what happened. I particularly love this scene because it is a fantastic demonstration of just how truly awesome Aragorn is. I love how Aragorn's explanation of what took place is cut with the real time action of Pippin and Merry in the situation. It gives the scene a lot of pace and allows Aragorn's words to hold some resonance. It is a scene I always love and admire due to it's engaging thrill and brilliant directing. 

THREE - The beginning of the Battle of Helm's Deep.


This photo doesn't fully highlight the precise point I mean here. Although I absolutely love the whole Battle of Helm's Deep, so much so that The Two Towers will always be my favourite in trilogy, the approach of the orcs is the bit I love the most. I think the whole anticipation is captured so well. The moment where you can see the orcs approaching in the distance with everyone waiting patiently behind the walls is such a beautiful moment - especially when the rain begins, acting as a pathetic fallacy for the immanent bloodshed. The set up of this battle is so wonderful, we are completely drawn into a state of anticipation and are overwhelmed with fear for the fighting members of our fellowship. The way these emotions are created emphasises just how elegantly powerful the approach is. It is intrinsic that we are completely thrown into this battle even before it has properly begun and I think the whole production team has done an absolute stellar job with this. It gives me goosebumps every time I see the orcs approaching in the distance and the close up of the men's eagerly awaiting faces (admittedly some of those goosebumps may be down to seeing a dripping wet Orlando Bloom) which is something I always take to be the mark of something special. 

 TWO - Boromir's Death


I think it goes without saying that this is the best death scene in the entire trilogy. After trying to betray Frodo, Boromir proves himself by dying a truly heroic death. The moment he gets shot with the first arrow is beautifully done. I love the way the intensity of the music stops and what we hear is a translucent version of the diagetic sounds. The way he gets up and carries on fighting is amazing. The scene is absolutely perfect. Sean Bean is a fantastic actor and acts his part wonderfully. The moment the Uraki is standing over Boromir about to give the final blow is such a great piece of cinema with phenomenal amounts of power. Even though Pippin and Merry's attempts at avenging Boromir are futile, it is still a touching moment that adds to the depth and beauty of the scene. I honestly can't see how anyone could not fall in love with the perfection of this scene. 






                                  ONE - PIPPIN'S SONG.

Not only is this scene my favourite scene within the entire trilogy, it is one of my favourite scenes ever. It blows me away every single time with how visually and aurally captivating it is. The scene interjects Pippin singing a song to Denathor whilst he's piggishly eating, with Boromir and his army riding out into battle. It is an absolutely stunning piece of cinema. The way the words of the song reflect upon the riders downfall, and how we see Denathor ripping away at meat when men are dying comes together so perfectly in an absolute wonderful moment of symbolism. Everything about this scene is chilling. Pippin's voice is given a haunting echoed effect and the actions of the riders are slowed down to shower the tone with more despair. Despair not only for the fate of the unlucky riders, but despair for the impending doom upon middle earth and our burdened ring bearer. 
I could watch this scene over and over again and not get bored. It demonstrates the real talents of filmmaking and how actions should be layered. Absolutely magnificent!

Exit Through The Gift Shop: Street Art.

Watching Exit Through The Gift Shop has really opened my eyes to the new craze that is known as street art. Prior to watching I had heard a little bit about Banksy and seen some of his work, but this has really made me more aware of the actual talent that is involved in the art form.

A lot of hard work and risky dedication goes into making this graffiti so wonderful. As well as Banksy, there are many artists out there who have made a name for themselves stamping their trademarks all around the world.

Space Invader uses old pieces of Rubik Cubes to create images form the classic arcade game. His pieces can be found on buildings, walls and bridges everywhere.

Shepard Fairey's 'Obey Giant' campaign has become a national phenomena, intended to raise curiosity and make people question the relationship they have with their surroundings. His trademark piece has taken the basic outline of Andre the Giant and simplified it down to give it the menacing, intriguing attire that Fairey has become known for.

The work of MBW or Mr Brain Wash - the man that Exit Through The Gift Shop centres around. Thierry Guetta is a man obsessed with filming everything. He has no purpose or reason for this, he simply does so because he likes to capture the moment. Cousin to Space Invader, he soon becomes fascinated with his art and the work he does throughout the city. Thrown into the world of street art, Thierry is obsessed with the workings and technicalities that take place in order to ensure the piece is displayed in it's fullest form in various places throughout the city. After capturing several renown artists, Thierry becomes obsessed in his mission to track down Banksy and capture the makings of his work. Call it luck, fate or coincidence, but the two just so happened to be magically thrown together.


Banksy encourages Thierry to showcase some of his own works (above) in a gallery show, which proves to be an instant success, making MBW the new must have piece for any contemporary art collector.


Exit Through The Gift Shop is a very fascinating documentary. The footage that Thierry has collected makes for excellent viewing. It is really special being able to witness the making of some of these contemporary artist's greatest works. Although the form of art is obviously sketchy in terms of legality, the documentary really helped to highlight the dangers the artists are faced with and the serious risks should they get caught. Even though Banksy helped make the documentary and featured in it...he was very cautious at concealing his identity, facially and vocally.

Through the means of one man and his camera, we really are able to see a charming insight into the intrinsic and amazing world of street art. There can be no qualms as to why this saw a nomination at the Oscars, however I do believe that it's more of a one trick pony. It is a documentary that I found insightful and enjoyed to some degree, but one that I am not likely to view again in the near future. It by no means is my favourite of the year. I would regard Catfish much higher, but perhaps that's because the medium behind that are more accomplished in film making and so were able to produce a more elegant, well rounded piece.

My eyes now on will be peeled for the works of street artists. I hope to see a Banksy in real life one day. A very unusual talent that is heavily under appreciated by the masses. I give the documentary overall a 6/10.

Leonardo Dicaprio

If any of you know me, then you will understand just how much I love this man. I am honestly surprised it has taken me this long to write a tribute to him.


Leonardo Dicaprio has been firmly on my radar since the release of Titanic, however that was only ever because of his boyish charm and good looks. It took me until I was about 19 (2years ago) to truly see this man in a different light. Although I must admit that he has aged very gracefully, the reason he is now firmly on my radar is due to the immense talent he possesses.


There can be no doubt that Dicaprio is one of this generations finest actors. By tracking his filmography you can see the amazing talent he had at such a young age and how from there he has grown from strength to strength. Although he made many appearances throughout his teen years, his first most notable performance would have to be his portrayal of Tobias Wolf in This Boy's Life. Working alongside one of Hollywood's most established actors, Robert De Niro, there is no doubt that Dicaprio had to act his ass off in order to help carry the film, a challenge that he was more than ready to accept and conquer.


After having the honour of starring alongside such a great, Dicaprio succeeded in doing so again a year later, with Johnny Depp in What's Eating Gilbert Grape. Although I have a firm hatred for Juliette Lewis, there is still no doubt that working alongside established actors as such must have been an intimidating prospect. Dicaprio's portrayal of an autistic boy Arnie was however exceptionally good and is without a doubt one of my favourite performances of his. His stellar talents were not gone unnoticed as the Oscar season saw him nominated for Best Actor in a Supporting Role. A nomination he undoubtedly deserved.


Although after this Dicaprio added some more great roles to his repertoire including the desriable Romeo in Lurhamann's Romeo and Juliet, and working alongside Meryl Streep in Marvin's Room, it was Titanic that gained him the attention of the rest of the world. 



Dicaprio embodied everything that we want from a romantic hero. He possessed the right look, the right physique and combined it together with the right amount of charm. Although Kate Winslet's performance was stunning, there is no question that for every girl watching, Dicaprio stole the show for them -  creating an instant, intensifying amount of lust. As well as holding a firm place on bedroom walls, Dicaprio had firmly asserted himself in Hollywood.




After working with the amazing Danny Boyle in 2000 for The Beach, Dicaprio followed in De Niro's footsteps and signed up for his first collaboration with Martin Scorsese. Gangs of New York is everything you would expect from a Scorsese film and almost as far away from Titanic as you can get. Dicaprio showed he was willing to embrace a new direction, much similar to Depp when he decided to collaborate with Tim Burton. Proving he was versatile and capable of tackling more diverse roles, Scorsese has kept a close relationship with the actor teaming up with him on later projects including The Aviator, Best Picture winner The Departed and more recently Shutter Island. All of which hit box office success and let Leo prove to the public why he deserves to be as highly regarded as he is today.



Edward Zwicks 2006 film Blood Diamond pushed Leo in the direction of the Oscar buzz again. It is impossible to believe that anyone who has seen him in this can deny how phenomenal he is in it. Sadly, up against a lot of amazing competition, Dicaprio was left yet again without the Oscar he truly deserves. However it is a very safe and likely assertion to assume that with his career flying even higher than before and continuing to soar, he will one day get his Oscar.


Not only did 2010 see Leo dominate in Shutter Island, but it also saw him star amongst a phenomenal cast of talented young actors in Christopher Nolan's massive summer mind-fuck-of-a-blockbuster Inception. The public reception that Inception received was hugely positive. There is no doubt that Dicaprio is very wise when making the choices that is right for his career. He works alongside very respectable members of Hollywood thus only enabling him to move further forwards rather than heading in reverse. Every decision Dicaprio makes enhances his career and judging by the calibre of directors he's worked with, he is obviously a highly regarded and valued actor in Hollywood.


What's next for Leo?


He is heavily rumoured as the villain in Tarantino's new flick. Working alongside Tarantino seems like another smart move for Dicaprio. I am very excited about seeing how he will tackle this new style and adapt to role.


What would I like from Leo?


Aside from marriage and beautiful children, I would love to see him collaborate with Darren Aronofsky. Dicaprio is amazing at portraying an unstable psychological state of mind. He blew me away in The Aviator doing such and there is no doubt that the artful direction Aronofsky gives would heavily compliment Dicaprio's acting style. But whatever he does, I have every confidence that he will not disappoint. He is a true great and has contributed masses to the film industry. I look forward to his AFI lifetime acheivement award which in another twenty years he will undoubtedly deserve.

Limitless

Everything about this idea captivated me. It projected the idea of an interesting premise made for fun viewing. Whilst I did find it pretty entertaining, there is a lot wrong with this film. It would seem that Limitless indeed has it's Limits.

Neil Burger tries to capture the story of writer Eddie (Bradley Cooper), whose life has become one mental block. He is struggling to start his new novel, keep his girlfriend and retain any fulfilment in his life. This all changes when he bumps into his ex wife's brother, who offers him a pill unlike any other. With nothing to lose, Eddie takes this pill which soon unlocks his brains potential making him capable of remembering things he thought he'd forgotten and giving him the motivation to accelerate his life into a higher gear. Obviously with so much potential, Eddie's career soon moves past novel writing into bigger and better things. However, this isn't all as it seems, with severe side effects to the pill and a high demand from dangerous people in the know of the drug, Eddie's path doesn't run as smooth as he hoped.

The problem with Limitless is that it tries far too hard to be something it's not. It tries to be sleek and stylised which although works to some degree, is used in a far too obvious and heavy way making the film seem quite tacky. Some of the fast camera movements looked cheap and actually made me feel quite nauseous. As a result, a lot of the sophistication within the script was lost.

The script is well constructed. I liked its structure and I liked the interaction between characters. It retains a lot of wit but doesn't try to be a comedy. I quite liked the way it deals with drug addiction. It's quite refreshing to see this about a fictitious drug as it makes the issue seem a bit more original. It's just a shame that this wasn't executed to its full potential. Burger's repertoire is sparse. Although I enjoyed The Illusionist and think his efforts on that were praise worthy, he clearly still has a lot more to learn in the world of filmmaking.

Most surprising to me was that I actually liked Bradley Cooper. I thought he did a pretty good job. We can clearly see his transformation not only through appearance but also through his character portrayal and it has opened my eyes to the potential he might have to be a more rounded actor. The supporting cast was pretty standard. Obviously Robert De Niro was faultless. It's nice to see him relaxing after his intense career and taking on some easier, more light-hearted roles. Abbie Cornish who played Lindy, Eddie's love interest is a tough one to decipher. I don't think it's fair to criticise her greatly because she wasn't bad in her role, but there's something about her I just didn't really like. I didn't warm to her character, I didn't sympathise with her anxiety towards Eddie and I didn't really care what happened to her. So I guess, Cornish probably is to blame in some way for this. Perhaps I would have liked her if it were another actress or perhaps we're just not supposed to care much about her, since it's all scripted around Eddie.

So whilst Limitless didn't give me Goosebumps or have me gagging for its DVD release, it was still fairly entertaining. I really liked the concept of it and it managed to keep me engaged throughout. So although it tries too hard and fails to even get close to its full potential, I'd recommend it for a watch - I just wouldn't urge people to rush out and spend money to see it. 5/10

Joy Ride (Road Kill)

This one has been on my To Do list for a while but it has taken me until now to finally sit down and watch it.

I can honestly say that this wasn't what I was expecting at all. I hadn't really read much into it, I just took my dad's recommendation and went with it. That aside it is a thoroughly entertaining film. The hour and a half flew by in a furious car chase, keeping me alert and engaged.

"It started as a joke, now the joke is on them..."

Joy Ride is essentially a road trip movie that goes wrong. Lewis is travelling back from college with the intention of picking up the girl he fancies (Venna) on the way back. On hearing his brother has been arrested again, he detours slightly in order to pick him up from the station. His brother, Fuller, buys a radio and the two brothers start conversing with other drivers on the airwaves. They lead a lonely trucker on with the false pretence that they are an attractive female lady and will have sex with them at their motel room.
This is where the thrill of our story begins. The trucker clearly cannot handle a joke and so engages in a fury of repent filled rage upon the brothers.

The main thing I liked about Joy Ride was the original, well written, well executed screenplay. JJ Abrams and Clay Tarver have done a fantastic job in creating a tense thriller free from predictability and cliche. Director John Dahl manages to keep the energy in the script alive with his on screen interpretation. The film is very engaging throughout containing few moments of dramatically lowered energy.
The dialogue between the brothers is written naturally with a lot of wit. You instantly like the partnership of the brothers and enjoy their exchange.

Of course, a lot of this likeability is down to the chemistry between the actors. Steve Zahn (Fuller) and Paul Walker (Lewis) have great on set chemistry that allows them to be believable as brothers. Their performances, whilst not Oscar worthy or anything outstanding, are effortlessly watchable. They play their part well and effectively manage to draw us into their world.

The bad guy in this scenario, 'Rusty Nail' has cleverly been portrayed on screen. He has a voice of calm coolness that immediately makes us uneasy. The appearance of this character is not revealed to us until our protagonists are allowed to see him, which allows us to be in the same position as the brothers. We find out everything at the same pace as they do, and our questions are not answered before theirs are. We are completely submerged into their world.

I really liked how this looked on screen. There was a lot of pathetic fallacy and a great use of shadows. In doing this the idea of mystery and the unknown was created effortlessly, quietly cheering on the unease lurking at the back of our minds.

Whilst I did immensely enjoy this film. It was a pleasant surprise and a very gripping horror/thriller, I cannot bring myself to rate it higher. I think all the cogs present with this production made for a very well oiled, smooth running machine. However that being so, I still felt the reason for this was because the ingredients were easy. It's easy to cook the pasta, but a great deal harder to cook the sauce. This is exactly what I feel about this film. It's like pasta. Something that is hard to mess up but the end product is still a delicious piece of enjoyment.
I think that this would be an epic fail if any component fell into the hands of an untalented film maker, however all the people present on production clearly know what they're doing and so were able to pull off the film with the right amount of energy and deliciousness.

A film that I would recommend. It is one of the best thrillers I have seen in a long time, with a satisfying ending. The ending is something that usually lets me down with films but I think this one was superb. The climax was tense and it didn't finish with you feeling cheated. A very entertaining watch for my Sunday Night. 8/10

Love and Other Drugs

Despite the general consensus, I really enjoyed this film. Love and Other Drugs tells the story of ladies man Jamie (Jake Gyllenhaall) as he competes in the pharmaceutical sales world. In order to gain the approval of a doctor, he shadows his work life which leads him to meet Maggie (Ann Hathaway) a 26year old Parkinson's disease sufferer. After a great deal of causality in their relationship, deeper feelings begin to blossom.

Other than seeing a semi naked Jake, what I enjoyed about this film was the tone of originality and the character depiction. The story was told in a refreshing way, showing a great deal of the power in Maggie's hands. Jamie's character was written well. He was set up to be the biggest ladies man around, he treated women with no respect and yet we still warm to him. The writers manage to create some form of likeability which means we let him get away with his behaviour. After his first meeting with Maggie, he is brought down a peg as she beats him round the head with her bag. Even though this action is completely deserved, we immediately feel protective of our protagonist. I really like the way this set up has been done because I think the likeability of our protagonist is one of the most important components.

Jake Gyllenhaall and Ann Hathaway are both effortlessly watchable. They don't do anything especially great within their roles, except their openness in displaying their naked bodies, but similarly they don't do anything wrong in their roles either. Without sounding superficial, it is important for these actors to be good looking with hot bodies. Jamie's character would not be believable if he wasn't good looking, and equally, we would not believe that Jamie would pursue Maggie had she not been good looking. Having great bodies is merely for the audiences comfort, it is a safe assumption that no one would regularly enjoy seeing two fat, wrinkly bodies on screen.

I liked the inclusion of Jamie's brother to provide a bit of comic relief. However, although for several parts this did make me laugh, I felt that he was included merely for the cheap laughs. He did not add anything substantial to the story and it felt like the writers were trying too hard to force this film into the romantic comedy genre, when our two leads already did this. His character was pretty much exactly the same as Zach Galifanakis's in The Hangover, and at times it was as if we were watching a direct rip off of such.

Another major downfall of this film was the horrendous choice of soundtrack. For the most part, it was bearable; however their inclusion of music during the two/three poignant scenes in the character's relationship was absolutely awful. Whoever chose this piece of music should be shot. These scenes were important in demonstrating a change in character and a progression in their relationship. The non-diegetic music that played was the worst thing I'd ever heard. It is the type of music that would have been perfect for a big sickly cheese-fest movie, however the film was not this and in playing this music, it completely destroyed the tone the rest of the film had. As a result of this, instead of the moments being heartfelt and touching, they became very laughable.

I really enjoyed this film as a whole. I found it entertaining, I liked the characters and I liked the development of their relationship. I still, however think there are major flaws in the script. Maggie was a stage one sufferer of Parkinson's disease, and even though this was an interesting inclusion, it felt as if it was only included as a mere obstacle in their relationship. Whereas I feel this should have been a big part of the story, it seemed as if it was heavily cast aside and pushed more into the background. It would have been nice to see more of Maggie's struggle with this disease, and more of Jamie's concern about it. It felt as if the writer's got carried away with the love story, and that they only remembered to push her disease as problem towards the end to have it as a third act turning point.

Yes the ending was predictable, but that wasn't so much an issue for me. Most romantic films have predictable endings, because otherwise they wouldn't fit into said genre. The public like to see a character like Jamie's change and like to see a happy ending for Maggie's lonely self. This formula works and although sometimes it gets tiring watching the same play out, it felt necessary for this. It wasn't so much for the development of Jamie, but more for the development of Maggie and her acceptance to someone else in her life.

So yes. There are countless problems with this film, but that does not divert away from the enjoyment as a whole. It is charming, entertaining and funny. It has a small sense of originality and although many would argue much of the nudity was unnecessary, I believe it was a bold decision that paid off to the filmmaker's advantage. It made the relationship between the two seem a lot more real and comfortable. As well as this, I now completely fancy the pants of Jake Gyllenhaal and have deemed him worthy of Sara loving. 7/10

(500) Days of Summer

Wow. What a very intelligent film. What I was expecting from 500 Days of Summer was a great, entertaining romantic comedy, however what I got was so much more. As it stresses at the start of the film, this is not your average romantic comedy, which in my opinion is so God damn refreshing to hear.

In short, the story follows our protagonist Tom (Joseph Gordon-Levitt) and the 500 days that follow after meeting Summer (Zooey Deschanel), a girl who is amazing in every way but doesn't believe in relationships.

This film is incredibly charming. The script is extremely well written and delivers a very engaging premise full of wit and an amazing demonstration of character development. Director Marc Webb has definitely gained my attention. It's a shame his filmography is very sparse, but he demonstrates great promise to his future productions. His direction is incredibly unique and quirky. He manages to fully project the tone the script presents, keeping the stories uniqueness apparent.

The whole film is greatly complimented by the support of solid actors. Zooey Deschanel is amazing in her portrayal of the character Summer and manages to radiate the special qualities Tom sees in her. She is quirky but likeable. Joseph Gordon-Levitt steals the show though. He is definitely the right choice for this role and really demonstrates why we should respect him as an actor. The anguish and raw emotion that is poured into his character is so believable and incredibly touching. He creates a very empathic character, which I believe should greatly be credited towards the charm of the film.

The soundtrack to this is perfect. It suits the tone of the film incredibly well, allowing it to stand out as the quirky romantic comedy it is. The choice of artists that are used follow the mainstream Indie scene, which gives a gentle nod in the direction of Summer's character and how she differs from the pop-culture sheep.

This film is artistic in a subtle and intelligent way. Every component in this film has been produced just right. I was incredibly impressed with how good this film was and how great a job Marc Webb has done. I would highly recommend this film. For me it was a bit of an emotional roller coaster but one that I enjoyed every minute of. It was highly engaging and very heart-touching. A firm favourite. 10/10

Cloverfield

Cloverfield has never really been a film I'm that bothered about, I only watched it because I had to for an assignment. But that being said, I actually really really enjoyed it.

I think the plots pretty simple and most people probably know what it's about anyway. But basically New York is under attack by an alien monster and our protagonists are trying to escape. The format of this film is used through the means of the hand-held camera, very Blair Witch esc. This keeps us at a personal level with the characters and makes the action more engaging.

It is safe to say that there is not an awful lot to this plot. It simply seems like an echo of the 911 terrorist attacks, however that being said, I have to say it is still very engaging. Once the monster attacks, the action is constantly fast which makes you unable to switch off. The chaos is paralleled with the unreliable camera source, which simply allows the story to feel a lot more real.

I wasn't necessarily blown away by any of the actors but I didn't hate them either. Most of the lead characters are averagely hot, so I guess they help to hold your attention somewhat. Rob (Michael Stahl-David) and Beth (Odette Yutsman) are both pretty easy on the eyes.

The ending was naturally predictable but that doesn't really matter because this film isn't really about creating twists or leaving you surprised. The main point of the film is to simply demonstrate the monster in our society. How destructive things we depend on are, technology being the main point of reason.

So yeah, I would definitely give Cloverfield a watch. It's very short, (just over an hour) and its filled with mindless entertainment. I don't think I need to give anymore reasons than that. I've already stated that the actors aren't ugly, soooo I'll leave it with you. 7/10

Road to Perdition

Road to Perdition is quite a slow film, but director Sam Mendes packs it full of poetic beauty making it seem worth while.
In short, the story follows Mike Sullivan (Tom Hanks) who is a hit man to crime boss John Rooney. However after his son Michael witnesses one of his killings, he finds himself on the run trying to save his and his son's life, as well as still seeking revenge on those who have wronged him.

So as stated before, this film is a visually stunning piece of cinema. Mendes does a fantastic job with this film and manages to allow us into Michael's mindset, making us understand his fathers relationship with him. He creates a very visual dark tone to the film's entirety, which is a fantastic subtlety that keeps with the plot's content. I particularly loved his use of rain as a motif. It became very emblematic of the dark surroundings within the world of the film and was a great use of pathetic fallacy.

The story itself is an interesting one. Everything about the synopsis screams action, however Road to Perdition is far from that. Whereas running away and revenge are important aspects of this film, the main focus is the relationship between the father and son, and Michael's progression into becoming the echoes of what a good father should be. This allows us as the audience to get emotionally involved on a much deeper level. I think this level of emotion is an important one to have as otherwise the slow pace of the film would get the better of you.

The acting in this is superb from all parts. I don't think it's possible for Tom Hanks to give an unbelievable performance. He was cold and callous at the start but started to radiate some warmth through as the plot progresses. He really is a mark of some of the greatness modern day Hollywood can produce. Paul Newman was outstanding, as was Daniel Craig. I loved how he managed to generate distrust from the introduction of his character, Connor. There was something very subtle written across his face that beautifully sold us his mindset. However, it was the performance of Jude Law as Harlen Mcguire, which I was taken to more. His character is in very little compared to the other leading names, but I was so impressed with how creepy and disgustingly callous Jude Law could be. Anyone who has seen Law's performance in this can't deny that this is deserved praise.

Mendes's film would not have worked without a Thomas Newman score by its side. He is a simply fantastic composer and his score to this is amazing. In a short few seconds, Newman captures every feeling that is present on screen. He allows us to feel the sorrow in a gentle way that keeps the docile movement of the film in tact. (SLIGHT SPOLIER)His main theme to this film comes into play towards the end of the film when Mike takes revenge on Rooney and his gang. This whole scene is the mark of truly talented people. The complete use of non-diegtic sound and the absence of any other during the gunfire really regurgitates the emotion inside of you in an involuntary surge of awe. It makes you physically feel the atmosphere and become totally engaged in the scene.

I have given this the rating I have because although it was visually amazing, heart-wrenching and had one of the best scenes I have seen for a long time, it didn't generate as much enjoyment as I thought it would. It is definitely something I would watch again but not something I am in a hurry to run out and buy. I think the slowness of this is a benefiting factor of that, which although completely works with regards to this film, is not something I personally can fully engage and immerse myself into for 2hours. 7/10

Favourites of 2010

127 Hours

I'd be anticipating this one for quite some time prior to release and what can I say...I loved it. Boyle's direction was edgy and beautiful. I really liked the way he interjected montages of the same scene. It really helped to highlight Aaron's anguish and desperation. James Franco was perfect in his role, exuding empathy and generating sympathy.

Inception

Inception blew me away. I am a massive Leo fan and whilst he obviously delivered, the rest of the cast is phenomenal. Christopher Nolan has rightfully earned himself a great amount of credit for his impeccable writing and film making skills.

Love and Other Drugs

This really surprised me. I really enjoyed the story and found the script very witty in places. Jake Gyllenhall and Anne Hathaway have a really great on set chemistry which helps enhance the emotional impact. Whilst there are a lot of flaws in this film and the music is very cheesy in parts, it is still on the whole a very enjoyable watch, one that I would happily do again.

Four Lions

This is a very funny, low budget British comedy. Whilst it is funny, the reality of the story is heavily impacted at the end. A very cleverly crafted script, executed brilliantly with a great cast.

Shutter Island

Whilst this film has been shunned as heavily overrated and one of Scorsese's lesser films, I still regard it as one of the best of last year. I personally didn't think the twist was particularly obvious unless you deliberately looked for it and I thought the story as a whole was very engaging. It was tense and the perfect amount of intrigue was created. Dicaprio never fails to blow me away, and his on screen relationship with partner Mark Ruffalo was fantastic. I really liked Scorsese's direction for this, it was very reminiscent of his remake for Cape Fear, as it echoed the same fear and darkness the was illuminated through Robert De Niro's character.

Black Swan

Darren Aronofsky is a very beautiful director. His films really are a work of art and Black Swan is the one that allowed everyone to fall in love with him last year. Natalie Portman is a deserving Best Actress winner for her role in this, her performance really is stunning. The story itself is engaging and the metaphorical indulges are what makes this film really great.

Tangled

I absolutely LOVED this film. Upon watching, I felt all the same excitement and emotion that I did when I watched a Disney film as a child. Tangled managed to recapture the classic Disney magic with the loveable princess, handsome hero, magical story and memorable songs. It was an exciting journey and one that I could happily watch over again just like my old favourites such as, The Lion King, Little Mermaid, Aladdin etc.

Buried

Whilst 127Hours had interjected scenes of Aaron's memory, Buried is simply just one man in a box. Whilst the idea of this seems boring, the execution was brilliant. Aside from director Rodrigo Cortes, a lot of credit for this has to go to Ryan Reynolds. His performance is captivating. I was completely drawn into Reynold's anxiety and anguish for the full 90minutes. A challenging idea that was done very well. I incredibly enjoyed this.

The King's Speech

There is no doubt in my mind as to why this film was one of the biggest of the year and racked up a massive four Oscar wins. It is so fabulously made. The story of King George VI as he tries to overcome his speech stammer is very heart warming. It has A-Class performances all around accompanied by a top notch script and impeccable direction from Tom Hooper. Something I was a bit apprehensive about before seeing, but fell in love with instantly upon doing so.

Catfish

This documentary is a piece of intrigue and beauty. The whole journey is engaging and the visual touches that accompany it are truly wonderful.

What's Eating Gilbert Grape (2003)

My rating: 8.5/10.

What's Eating Gilbert Grape is one of those real gems you unexpectedley find. It is amazing to watch how incredibly fantastic Leonardo Dicaprio was during his late adolescence and before his prime. There can definitely be no doubt about whether he deserved the Academy Award nomination for Best Actor in a Supporting Role. He truly is a demonstration of what a good actor is. Someone that starts off with amazing potential and just manages to grow and develop into the mature actor we know him as today.

The film depicts a working class family in the one-street town of Endora. The Grape's consist of two sisters Ellen and Amy, and two brothers Gilbert (Johnny Depp) and Autistic Arnie (Dicaprio). As well as trying to look after their morbidly obese mother Bonnie, they are also striving to live without a real father figure, lack of a decent wage and the highley dependable Arnie. Our hero Gilbert, being the 'man' of the house is the one that has to sacrifice any want for much of a social life or romance in order to work, whilst simultaneously look after an unpredictable Arnie. This becomes the norm until the freespirit Becky (Juliette Lewis) arrives in town for a few days allowing Gilbert to grasp onto a new direction of life.

Swedish director Lasse Hallstrom really manages to effectively portray the mental claustrophobia of Gilbert's life. He heavily depends on a range of close ups of the character's as the main way of emotion. Luckily the cast is made up of very talented people and so they are able to effortlessly produce Hallstrom's desired reactions with their facial expressions - allowing the subtelty of the film to shine through.
Johnny Depp is of course fabulous. With already having cemented himself into the film world as an established actor, his performance in this really highlights the reason why he's there. His character is believable and he doesn't try too hard to make us like him. It is the reserved method of acting that we see, which allows the creation of the empathy.
I wish I could say the same for Juliette Lewis, however I'm just not a fan. She seems to be the same in everything I've seen her in (which admittedly isn't a great deal) and that 'same' is a monosyllabic, bland, emotionless bore. I just didn't warm to her character at all and felt she offered nothing more to the role than what was written on the script. When she spoke, I felt she sometimes made it sound like her character also had mental difficulties. But aside from her, the rest of the cast were great.

With the location being so small, this film risks the danger of the setting becoming boring, however this definitely does not become the case. Hallstrom efficiently uses the scenery and turns the recurring props into motif's. In doing this, it means the character's are forced to dynamically encorporate them into their portrayal. Matches for example is one thing in particular that Gilbert often uses which also becomes an integral component that drives a lot of the plot's substance forward.

The music to this deserves a lot of credit for the endearing nature the film possesses. It's not a big score, or a bizarre, unexpected arrangement of notes. In keeping with the rest of the tone, it plays with a lot of subtelty as well as providing a softener effect to the harsh realities that the film is showing. It is a beautiful charmer that completely draws you into the world and I believe without it, the film would force you into more of a downward struggle.

Overall, I think this film is a greatly underplayed piece of cinema that highley deserves to be seen - it truly is a great watch. If you don't see this for the story or the film itself, I strongly urge you to see it for Dicaprio and Depp. I think their performances alone are engaging enough to keep your attention throughout.

The Girl With The Dragon Tattoo (2009)

My rating: 9/10

Well, I finally got round to watching Niels Arden Oplev's phenomenon and my god what an incredible phenomenon it is.

As most will probably already know, The Girl With The Dragon Tattoo is the first installment of the adapted 'Millennium' Series. The story is centred around the unresolved disappearance of Harriet Vanger some 40 years prior. Loving uncle Henrik is sure that she has been murdered by one of the Vanger family members but after so many years of investigating, has come up dry. He employs Mikael Bloomkvist to investigate further, and with help from Lisbeth Salander they begin to discover the shocking truths about the Vanger family's past.

Aside from the fantastic scripting, what I enjoyed the most about this film was Oplev's incredible use of lighting. The mood of the scene was captured so effortlessly by the way he displayed the light. He created a shadow effect on objects and character's in many of the scenes which seems like a key device to use within a mystery thriller to portray the unknown. The whole film itself had a dark tone about it that feels necessary in order for it to keep with the genre. It was interesting to see that after the mystery had been solved, everything became much brighter. This use of pathetic falacy is such a simple device but one that I feel always proves to be effective.

As mentioned, another thing I loved about the film was the screenplay and the story line we get from the novels. I particularly enjoyed seeing the development of Lisbeth's character. Her scenes at the beginning of the film with her sadistic boss initially seemed to be a bit unnecessary, however as the story unfolds it becomes quite clear why there is a need for them to be there. Her actions at the end are rectified by her past. I believe that had we not seen this past, her character would seem flat and we would lack understanding as to why she behaves in the way she does.
The actors playing the leads, Lisbeth and Mickael were both fantastic. They were believable as their characters and they provided us with the sense of wanting to go on the journey with them - which is pretty much all you need.
My only flaw with the story would be that the ending felt like a bit of an anti-climax. (SPOILER) After Mickael breaks into Harold's house, he seems far to willing to volunteer the information he knows about the previous killings and the Vanger family. It seemed to me that someone who a moment ago felt that he should keep everything between himself and Lisbeth, should not then go spilling everything to Martin Vanger...regardless of how certain he is that the killer is Harold. The fact that simultaneously, Lisbeth is discovering Martin is indeed the villain we know that Mikael has divulged information to the wrong person. For me, the way that it was Martin who the information was told to, just seemed like an easy and a slightly lazy way of getting the story from where it was to the big finish in the cellar.

I thought the use of music was great. It went against the obvious creepy, mystery thriller stereotype by opting for something that sounded more upbeat. I really liked this mechanism as it enhanced the films pace and gave it a real sense of 'thrill'. The cinematography was fantastic. Some of the Oplev's scenes were really beautiful and breathtaking at points. It all just seemed to look visually perfect on screen.

The very end of this film was very clever. It effortlessly set up it's sequel 'The Girl Who Played With Fire' enough to inform us of what the film will be about but without giving us any idea as to what the actual content will contain.

All in all, this film is by far one of the best films I have seen this year and if the rest of the trilogy live up to the high bar that TGWTDT has set, then in my opinion, it will definitely go down as one of the greatest trilogy's made!

The Human Centipede (First Sequence)

My Rating: 5/10

Well...what a very strange film. I gave this a fresh rating because I think it doesn't deserve to be rotten and isn't actually ALL bad.

The Human Centipede is pretty much as the title suggests. A great German surgeon captures two lost American girls and a Japanese man holding them captive in his cellar. He then proceeds to create the first human centipede, sewing them together mouth to bum and removing their knee ligaments meaning they are unable to stand up.

As weird as it sounds, this was actually quite entertaining and in parts pretty gruesome to watch purely because the concept is such a sick idea and had me clentching my bum and covering my mouth for the most part because unlike the characters in the film....I could. There are a lot of sick moments in the film that purely are designed to incur your gag reflex. For example, because they are sewn together the two at the back are forced to feed off the excrements of the person in front. So as you can imagine, seeing that happen is pretty disgusting.

Obviously, this film has plenty of flaws and will never win any awards or ever be highly critically acclaimed however with a concept like this it's not really going to. If anything, a group of mates had this sick idea and decided to make it for their own entertainment. It follows the classic horror/gore film conventions with the characters stupidity and the seemingly invincible villain but it wouldn't be much a film if it didn't.

If you're a fan of horror/gore then I would definitely reccomend this as it is an intriguing and entertaining watch and you would certainely never have seen anything like it before.

Moon (2009)

My rating: 6/10

After having heard a lot about this film, I was very intrigued to watch it. So when I saw it on TV I thought I'd give it a go. Whilst I wasn't blown away by this film, I still found it pretty good.

Moon offers a very original script, we are shown our protagonist Sam maintaining the computers for a new source of energy found on the moon. His contract lasts three years and he is up there by himself with the exception of his computer companion Gerty. After suffering an accident, Sam wakes up to find things are strange, he encounters another form of himself who claims to have only been on the project for a week. With a lot of confusion both Sam's start to try and figure out what is going on.

So as you can see, the premise for this film bares no similarity to anything else we've seen. A lot of dependence is placed upon our lead Sam (Sam Rockwell) but luckily that pays off. Rockwell keeps our attention and focus without making us ever feel the need for any other stage presence. Kevin Spacey (Gerty) provides us with a very creepy form of a robot, he is very reminiscent of HAL (2001: A Space Odyssey) We immediate gain the sense of distrust from him.

While on the surface, Moon appears to be a big Sci-Fi mystery thriller, it beholds a lot of darkness about it. Issues of mistrust and anguish bubble deep below and come out in the physical demonstration of the two Sam's fighting. It seems like this could be construed as a metaphor for insanity and what being completely isolated for that amount of time can do to your mind. Another example of this would be right at the beginning, Sam sees something that isn't actually there. Although because it is very insignificant to the rest of the plot, it is easily brushed over and forgotten about.

The music gives way to the eerie atmosphere of the film as well as the loneliness. Many of the notes were single crotchets played by themselves which creates a direct parallel to the Sam's situation and feelings. As well as loneliness, it almost felt creepy which highlighted the substance in the plot.

This film was rated a lot higher by the majority than what I have given it but I feel I have my reasons for this. Although original and engaging, like I mentioned before - it didn't blow me away. There were moments I felt like I should be emotional but just didn't feel anything for the character or situation. The ending for me felt messy and rushed, but maybe that was just me not liking the mystery aspect that was retained until the end. As well as this, I felt it had it's flaws. (SPOILER...) Sam had been through all this anguish to find out the truth, and once he'd found it out he wanted to go back to earth and uncover the lies. But he was willing to leave another clone behind doing the job he'd been awoken to do. Why does he not think that clone will uncover the truths like he did? Surely that would create EVEN more mess?
Another reason why I haven't rated it as highly as most others is the fact I don't really want to watch it again. It's not a film I would buy on DVD or look forward to a second viewing of, a first viewing was enough for me. But it entertained me and so I feel it did its purpose. I would truly rate this a 65% although obviously that isn't possible!